It seems Duchamp asked himself the same question. In 1920, after threatening to abandon the art world and study chess full time, he wrote, “Naturally this is the part of my life that I enjoy most.” His love of chess is evident in his work: The figures in The Large Glass recall rooks arranged carefully on a board. Duchamp wished to fuse art and chess. The popular opinion, espoused by historians, proposes that Duchamp saw the art world as a This story is from Kinfolk Issue Twenty-Two Buy Now Related Stories Arts & Culture Issue 51 Emily Gernild The Danish painter breathing new life into an old medium. Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables. Arts & Culture Issue 50 Close Knit Meet the weavers keeping traditional Egyptian tapestry-making alive. Arts & Culture Issue 50 New Roots The Palestinian agriculture collective sowing seeds of community. Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter. Arts & Culture Issue 49 Mass Destruction “Artists are often left baffled by the fact that they have millions of monthly streams, yet only a couple of thousand followers on social media.”
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