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Feature

Issue 21

Within the pages of the fall edition of Kinfolk, the home becomes more than the sum of its walls and floors, chairs and wallpaper—more than a collection of objects. We delve deeply into the very nature of home, exploring what’s hidden, unseen, mysterious and sensual. And we look into what we have forgotten or overlooked in the rituals of our daily lives.

Order
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Super-Egg

Designed as a “useless necessity” in 1965, the brass super-egg is a classic piece of industrial art beloved by design connoisseurs.

26/10/2016
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Peter Jensen

With designs as colorful as the muses that influence him, Peter Jensen confronts the fashion world with a gentle dose of eccentricity and humor.

26/10/2016
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Memento Mori

Andrea Codrington Lippke examines the ways in which our most ordinary household objects continue their lives after we’re gone.

26/10/2016
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On Privacy

The founding editor of Modern Farmer and Monocle reflects on the intense yearning for private spaces in our homes and workplaces.

26/10/2016
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In Praise of Shadows

Japanese novelist Jun’ichiro Tanizaki illuminates how light and shade’s dependence on one another nuances everyday moments with repose and beauty.

26/10/2016
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Hikari Yokoyama

With her impeccable eye and sense of entrepreneurialism, Hikari Yokoyama is charting her own course through the contemporary art world.

26/10/2016
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Amy Sall

Amy Sall reflects on her Senegalese heritage and how its physical reminders shepherd her sense of home—wherever she may be.

26/10/2016
Untitled (Window with Helmets), 2012;
From Remembered Light at Gagosian Gallery; Gelatin Silver Print, 8 x 10 inches; Edition of 5

Remembered Light

Sally Mann writes intimately of her relationship with Cy Twombly and the photographs she made of his studio before Twombly's death in 2011.

06/10/2016
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Modern Movement

With its clean lines, high ceilings and ample use of natural materials, Emmanuel de Bayser’s apartment is the epitome of modernist living.

06/09/2016
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New Minimalist: Joseph Dirand

French architect Joseph Dirand acquired his first Prouvé chair at the tender age of 17 and has favored function over form ever since.

06/09/2016
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Cult Rooms: Mon Oncle

What happens as modernism becomes monstrous? The home in a classic Jacques Tati film explores how functional design can lead to domestic dysfunction.

06/09/2016

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